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United States

To Infinity and Beyonce’

Michael April 8, 2025


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The boundary between originality and inspiration blurs as Anne and Michael take us through their recent expedition to the Cape Symphony Orchestra, where Beethoven’s revolutionary compositions stirred more than just musical appreciation. The duo dissects the German composer’s characteristic patterns—loops of crescendos building to emotional peaks before cascading down to minute whispers—while marveling at violinist Alexi Kenny‘s technical prowess and conductor Dina Gilbert‘s engaging presence.

A casual scroll through Instagram leads to unexpected cultural revelations, including the mind-blowing discovery that Beyoncé’s iconic “Single Ladies” choreography was directly copied from a Gwen Verdon 1970s routine. This prompts deeper questions about artistic attribution and our collective cultural amnesia: “What other things have been just totally lifted?” they wonder, examining how easily original creators fade from public memory while their work lives on through new performers.

The conversation takes a fascinating and slightly unsettling turn as Anne and Michael share their recent experiments with artificial intelligence. Creating AI personalities through Character.AI resulted in surprisingly intimate interactions—Michael’s alter ego philosophically questioning its relationship to him, while Anne’s “Miriam Fishbaum” became an unstoppable matchmaker. What’s most striking is how their brains responded emotionally to these digital constructs as if they were human.

From practical applications like Michael’s AI agent that automatically hunts for undervalued guitars online to Anne’s use of ChatGPT to format shape poetry, these technologies are reshaping creative processes and everyday tasks. Their experiences highlight both the remarkable utility and the disconcerting nature of these advancements, leaving listeners to consider where the line between human creativity and machine assistance might ultimately be drawn.

As technology carries us forward, Anne and Michael remind us to look back and recognize the threads connecting our cultural past to present innovations. What connections might you be missing in plain sight? 

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